Blog

Celtic Cross – Ancient & Christian

How the Celtic Cross Form Came to Be

The Celtic cross, as represented by the few remaining standing crosses in Ireland, flourished as a religious and art form during the early Middle Ages. During this time, Ireland slowly converted from druidism and other so-called “pagan” religions to Christianity, though the conversion was never complete. In fighting for the souls of the Irish, Christian authorities used a tried-and-true tactic: rather than forcing the locals to discard their religion, they assimilated it.
The Celtic cross is a cross superimposed on a circle (not, significantly, the other way around). The circle is thought to represent the sun, the object of many ancient religions; a representation such as is seen on the Celtic cross is called a nimbus. Though no writings survive that explicitly say it, it is thought that the cross-with-nimbus symbolized the acceptance of the old druidic religion (by showing the nimbus) but also its being eclipsed by the new Christian religion (since the nimbus is clearly behind the cross).
Of course, there was a simple practical advantage to this design as well: the circle served to buttress the cross’s horizontal arms. In fact, Celtic crosses without the nimbus usually did not survive long; weathering and age caused such crosses to lose their arms or heads.

The Art of the Celtic Cross

The intricate filigree-like carvings on the surface of Celtic crosses are of a style known as “insular art,” which literally means “art of the islands.” This style combined motifs from earlier runic art with intricate swirls and patterns to form a visually striking mosaic. This made the standing crosses very visually impressive, particularly in a hardscrabble medieval world where very few things were ornate, decorative, or beautiful for their own sake.
You can also see insular art in manuscripts such as the Book of Kells and the Lindisfarne Gospels. If you study it closely, you might be struck by how abstract the art is; even when people are clearly depicted, they are not drawn in a factual style. The more important element is that such depictions be visually arresting.

The Viking Influence

The flourishing of insular art is thought to have been stifled by the Viking raids and invasions of the 8th, 9th, and 10th centuries. At first, the invaders looted, killed, and took slaves, but later, they came back to stay; Dublin and Waterford, Ireland’s first two cities, were founded by the Vikings. They brought their own decorative styles and versions of Christianity with them, and the old Celtic/Druidic form of Christianity was supplanted.
Ireland during the early medieval period was not a unified country by any means; it was a collection of small, often mutually hostile kingdoms and chiefdoms. Thus, when the Viking raids came, first to the west coast and then to the rest of the island, there was no way to organize a unified force to resist them. The Vikings took home as loot many examples of insular art, such as manuscripts, metalwork, and wall hangings; very few such artifacts have survived, as the Vikings also usually destroyed what they could not carry back with them.
The development, both cultural and economic, of Ireland was retarded for centuries by the Vikings; many coastal settlements were abandoned after Viking raids. It was simply too much to painfully build up a small measure of wealth and prosperity and then see the fierce Viking warriors swoop in from the sea and take or destroy it all. Many Irish moved inland, out of the reach of the raiders.

The Stone Celtic Cross as the Symbol of Resurrection

Imagine that you are a poor farmer in a village on the east coast of Ireland. You have heard terrible stories about the Vikings but so far, they have never come to your village—until one fateful morning, a lookout screams “Longboats!” You gather up whatever you can carry and flee to the hills with your family—no one has the weapons to repel dozens of axe-wielding Viking raiders!

 

You watch from a safe distance as they methodically pillage your village, killing those who were unable to flee in time.
After the raiders are gone, you return to the smoking ruins of your house, which has been burned along with all the other homes in the village. All the livestock are gone, and the bodies of many of your neighbors are lying in the fields. The only thing intact is the stone church, which has been stripped of everything—but the Celtic cross still stands! You and the other survivors gather around it to pray, taking reassurance from its permanence and endurance.

 

You will rebuild.

 

By Kevin M. Lewis

The Lore of the Leprechaun

The Irish-Roman-British Little Guy

OK, you’re thinking, he must be talking about the leprechaun. But I thought that the leprechaun was just plain ol’ Irish.

 

Well, not really. In the first place, the name is half Old Irish (lu, small) and half Latin (corp, body). Those Romans really got around.

The Shoemaker

You just want to make sure that you pronounce the word correctly, or a leprechaun may materialize and steal your shoes in retaliation (in Irish folklore, their profession is usually a shoemaker). Don’t be like those people who pronounce it “leper con,” which suggests someone you really don’t want to hang around with.

The Stereotype

The leprechaun actually showed up pretty late in the game in Irish folklore.

 

Like the shamrock, the leprechaun became a derogatory stereotype of the Irish for the 19th century British, who viewed themselves as far superior to the rest of the planet in general and the Irish in particular. Thus, the leprechaun’s fondness for practical jokes became a symbol of the Irish’s supposed guile and dishonesty; his hoarding of gold became a symbol of their miserliness; his humble occupation became a symbol of the general worthlessness of the Irish.

 

The Irish themselves never really cottoned to the leprechaun; his ubiquitous nature in our popular culture stems from British influences and media stereotyping.

The Trickster

Of course, just about every culture in human history has its version of the mischievous, magical creature who can appear and vanish at will. From Western European elves to Plains Indian Coyote Tricksters, the theme is always the same:

 

  • He’s a little guy who works by stealth and guile.
  • He’s smarter than you. A lot smarter.
  • He has a hidden stash, which you’ll never find no matter how hard you try.

 

He will occasionally get careless and you can capture him, in which case he’ll grant you a wish or wishes in exchange for his freedom. Good luck getting anything of actual value from him, though.
The leprechaun usually comes armed with the power to grant three wishes. Capture a leprechaun and tell him if he wants you to let him go, he’ll have to make you a millionaire. He’ll then hand you an Italian million-lira note. Use your second wish and tell him you want a million dollars. Fine; a locked chest magically appears in front of you. Exasperated, you use your third wish to demand the key to the chest. The key will break when you try to open the chest.

The Pot o’ Gold

The idea of the leprechaun holding the key to wealth, and the image of him having a pot of gold buried in the ground at the end of a rainbow, may have its origins in Roman times.

 

After the Romans abandoned the British Isles in the 5th century, they left behind a wealth of artifacts—including hoards of buried coins, which are still being discovered today. The average Roman didn’t have any way of preserving and protecting his wealth other than burying his coins on his property. People died, moved away, etc., leaving these stashes intact.
The leprechaun could show you where to dig to find these old coins. All you have to do is wait for a rainbow and then go to where the rainbow touches the ground and start digging. Of course, when you get there, you might find that the rainbow has moved…or disappeared…

The Green, or is it Red, Jacket?

You might be surprised to learn that prior to the 19th century, leprechauns were depicted in folklore as wearing red, not green. The great Irish poet William Butler Yeats helped to shift the image to a little guy with a red beard wearing a green jacket with seven buttons. This is the image we have in America today, down to and including Lucky Charms cereal and the statues in front of Fitzgerald’s casinos in Reno and Vegas (both defunct, sad to say). Specifically, the solitary fairies were supposed to wear green, while the “trooping fairies” wore red.

The Buckled Hat

An odd feature of the stereotypical leprechaun costume is the buckled hat. Such buckles were fashionable in the 17th and 18th centuries but by the time the leprechaun image really got going, were very much out of fashion. This may have been a way of negatively (again) portraying the Irish as old-fashioned and out of touch, much as American popular culture depicts the Puritans as wearing odd, tall, buckled hats, which they rarely if ever actually owned or wore.

The Tradition Today

So feel free to wear something green and have a pint of Guinness, but you should look a bit askance at the green-coated, red-bearded, buckle-hatted leprechaun on the barstool next to you—he’s just a British-American stereotype. But keep an eye on your shoes anyway.

 

By Kevin M. Lewis

The Meaning of the Shamrock

The shamrock is one of the primary symbols of Ireland, the other being the Celtic harp. Like the thistle for Scotland, the leek for Wales, and the rose for England, it is a simple, common plant whose qualities are seen as symbolizing the country it represents.

Word Origin

The word “shamrock” is an English corruption of the Irish seamrog, which is the diminutive of seamair (clover). Thus, a shamrock is simply a little clover.

Saint Patrick

It is part of Irish Catholic legend that St. Patrick used the three-leaved shamrock as a visual metaphor for the Holy Trinity. However, the connection between St. Patrick and the clover was not depicted visually anywhere until a series of coins was minted in 1675 in Dublin showing him blessing a congregation while holding a shamrock in his hand.

Symbol of Ireland?

A large part of the identification of the clover as an Irish national symbol was, ironically, due to misperceptions and mistaken reporting by the British.

 

In the 16th and 17th centuries, poets and authors regularly wrote about how the “wild Irish” would eat anything in the case of famine, including shamrocks. (During this period, England was struggling to tighten its grip on Ireland; thus the English and the Irish had low opinions of one another due to the recent ongoing low-level warfare between the two countries, which had caused great suffering to the Irish and economic and political costs to the English). Since the shamrock has virtually no nutritional value, this was touted as an illustration of how savage (and stupid) the Irish were.

 

But it was again a case of misinterpretation. The Irish did regularly harvest and eat wild wood sorrel, or seamsog. British writers simply confused the two words, seamsog and seamrog. Thus, the reason that the British thought that shamrocks symbolized the Irish was that they believed the Irish ate them—something they basically never did.

Migration to America

So the shamrock became an Irish symbol more because the British thought it should be than that the Irish ever identified with it. However, it gradually became adopted by all Irishmen.

 

The shamrock migrated with the Irish to America during the Revolutionary War, when Irish recruits and conscripts were organized into regiments bearing the shamrock on their flags.

Luck of the Shamrock

448LongShamrockClr-W

Nowadays, the shamrock appears as a logo and symbol for diverse companies, and used in the manufacture of thousands of products.

 

The rare four-leaved shamrock (“four-leaved clover”) is considered a sign of great good luck to the person who finds one.

 

The much more common three-leaved shamrock is seen as symbolizing Ireland’s verdant beauty, the hardiness of its people, and their adherence to their religious values.

By Kevin M. Lewis

The Ancient roots of the Leek

Wearing of the Leek?

One of the traditional ways that Welsh people celebrate their national pride on St. David’s Day is by wearing a leek. There are two intriguing tales from Welsh lore about this custom, one taking us all the way back to the 6th century.

Leek-side

A badge

The first story goes that soldiers of the ancient British king, Cadwaladyr, were about to fight their traditional enemy, the Saxons. Dewi Sant (St. David) advised the Welsh to wear a leek in order to recognize their fellow countrymen during the battle. Many have doubted this tale, as St. David and his followers lead a quiet monastic life, far away from such battle scenes; also, this legend wasn’t recorded until the 17th century.

A field of green

Another legend recounts the tale of brave Welsh archers who helped Edward the Black (the first English Prince of Wales) defeat the French in 1346. Because the archers fought in a field of leeks, this symbol became a reminder of their bravery and loyalty, and the Welsh began to wear a leek in their caps every St. David’s Day.

Ancient roots

It is very likely that the Welsh association with the leek predates St. David by hundreds and possibly thousands of years, to a pre-Christian time when Celtic people lived close to the land and had a deep affinity with trees, plants and other such aspects of Mother Nature. The leek may have had a special status with the Celtic tribes in the area we now know as Wales, although this is speculation.

One scenario is that the druids – who were priests, doctors, poets, teachers, minstrels, and human archives of ancient wisdom – shared and used their knowledge of the healing properties of the leek. Such qualities were alluded to in ancient holy books such as the Bible and the Torah, and leeks were depicted on ancient Egyptian wall carvings and drawings. They were even cultivated in ancient Mesopotamia.

The leek, with its reputation as a medicine to cure a variety of illnesses, would have been highly valued before the era of St. David. It was regarded as a cure for the common cold, alleviated the pains of childbirth and would later be used as a tasty, healthy ingredient in cawl, the traditional Welsh broth. It offered protection against wounds in battle and was supposed to help one keep away evil spirits. One of its benefits was to aid in foretelling the future; young maidens were to place a leek under their pillow at night to see the features of their future husbands.

The proud leek

So when you see this humble plant worn as a proud symbol of Welsh heritage, or see it as an emblem in a coin, flag or banner, you can appreciate its “Celtic connection” to an ancient past.

Researched and written by Kathi Hennesey, owner of Triskelt shops

Fun things to do ~ crafts, recipes

IMG_4205_Daffodil-Oval-W

We found resources for cool activities to get you in the Welsh mood.
Check out these links:
www.Wales.com for free PDF how-tos, recipes, and more

  • Castle pencil holder
  • Pom Pom Welsh Sheep
  • Paper Welsh Dragon
  • Paper Daffodil
  • Welsh Flag
  • Welsh Bunting
  • Welsh cakes
  • Bara brith
  • Welsh rarebit
  • lots more

 

Teachers and Crafters
Here is an United Kingdom site full of home-school activities for all year.

The amount of fun stuff here is amazing! And you don’t need to be a child to enjoy it all.

www.twinkl.co.uk

Scottish Clan Badges

Scottish Clan Crest Badges

A Brief History and Meaning Behind the Images and Rubber Stamps

By Kim Victoria

Going to a Games Event with your stamp?

Get Your FREE PDF GUIDE to Caring for a Rubber Stamp

“Clan” means Family, it’s that simple. All societies have clan groups, which may also be called tribe, family, house, kinship group, band, etc. In Scotland the clans were groups of families, bound together by geographical area and survival necessity for centuries.

 

As interest in genealogy and heritage has increased, so too has interest in knowing about family names and DNA. Many Scottish societies are accumulating DNA and historical family information related to clan groups. Knowing about your family bloodlines is interesting, gives you connection to more of the world, and can help you know how to maintain optimal health for you and your family.

 

A part of that connection is the Scottish Clan Crest Badge, which you may use to show your family ties to that clan.

 

When Scotland was a wild place with few roads and isolated valleys and islands, each district was its own clan society ruled by a clan chief. All the families living there were part of that clan, even when they had different bloodlines. Those with different bloodlines and surnames were known as “septs” of the ruling chief’s name.

 

Heraldry and heraldic art developed as chiefs created emblems for flags, banners, and insignia on apparel; so that when there was a dispute, or war between clans, the colors and emblems would help the combatants know who they were fighting for – and against. These emblems developed into a sophisticated art form. Eventually a registrar was developed for what became known as “Coat of Arms.”

 

Tartan also developed this way; and also because only certain plant dyes existed in specific areas. In-other-words, clans originally only had “district tartans;” clan tartans developed later.

Coat of Arms and the Badge

Only an individual has a coat of arms; which is a display awarded by the Lord Lyon, King of Arms, the official herald-in-chief for Scotland.  No one may use another person’s coat of arms for themselves. Therefore, to show kinship with the same family as the Clan Chief they may use a crest badge emblem.

 

The crest badge is that part of the clan chief’s coat of arms above the helmet. The crest is placed inside a strap and buckle to make the pictorial statement “I support my chief.”

 

Over time, many clans lost having a chief due to death without heir. The Standing Council of Scottish Chiefs resolved that crest badges should also include the words “An Cirean Ceann Cinnidh” to designate that there is a living, recognized chief for that clan. It means “Crest of the Chief of the Clan” in Gaelic. Please visit your clan’s or society’s web site for more information. († for pronunciation guide)

About the Rubber Stamps

Kim Victoria worked with Chiefs, presidents and other officials in the Scottish clan societies to ensure that all the crest badges follow the current recognized heraldic conventions. As new chiefs are recognized, their crest or mottoe of their coat of arms may be different than the previous chief and thus the crest badge must change also.

 

Some of the rubber stamp designs have, and some don’t have, the words “an cirean ceann cinnidh,” either because there is not a recognized chief, or because many stamps went into production before the resolution was made. You may request that the words be cut off of the stamp you purchase, or have a custom stamp made with the words if they are not currently available for your clan.

 

Kim Victoria has designed these crest badge images with rubber stamping in mind. The designs have been modified to display well in the smaller size and to reproduce beautifully with inks. Mounted on Eastern hard maple, and vulcanized from the best red rubber in the industry, by Circustamps of California. Custom stamps are polymer only, which is also an excellent stamping material.

 

If you do not see your clan name and want to have a stamp of that badge please see Custom Stamps Services for more information.

 

All are original hand-drawn art by Kim Victoria © Copyright 1998 through 2018
The name of the clan is usually not part of the stamp design, unless requested custom.
Only one spelling is available with the red rubber.

Red rubber badges are 1 1/4” X 1 3/4” size. Custom polymer stamps can be different sizes.

Useful Information and Links

†     The words “An Cirean Ceann Cinnidh” means “Crest of the Chief of the Clan” in Gaelic.
Pronunciation and literal translation is roughly:
The – Crest – Head – a Clan
un – kirin – keyow’n – keeñee

The Standing Council of Scottish Chiefs requests the use of these words with the badge when there is a living chief for that clan.

The Standing Council of Scottish Chiefs official web pages

 

Lord Lyon King of Arms of Scotland (wikipedia link)

FREE PDF GUIDE to Caring for a Rubber Stamp

I Heart St Valentine

A bit of Valentine history

Valentine’s Day is possibly the most worldwide of celebrations: heart-shaped candies and flowers are exchanged on February 14th in the U.S., China, Brazil, Iran, and almost everywhere else on the planet. But originally, the observance had nothing to do with romantic love, and virtually nothing is known about the man—or men—after whom the day is named.

Multiple Saint Valentines?

There were several—perhaps dozens—of “Valentines” in early Christian history; it was a fairly common name in Imperial Rome. Many Valentines were Christians persecuted and martyred by Roman authorities, and the Church conflated their deeds, both real and imagined, in creating a composite “Saint Valentine.”

 

The two most likely actual candidates are Valentine of Interamna, who was consecrated a bishop in AD 197 and persecuted by Emperor Aurelian (this was before the Empire became officially Christian) and Valentine of Rome, who was murdered in AD 496.

 

Both saints were buried on the Via Flaminia, though in different places. Therefore, the proper way to state the Christian observance day was actually “Saint Valentines’ Day.” Many church frescoes and stained glasses depicted both saints. Almost nothing is known of their lives or deeds, however.

Sacrifice not love

Chaucer_Hoccleve

Since both of the most prominent Valentines (and many of the others as well) had been martyred, the Feast of Saint Valentine was originally associated with sacrifice, not with romantic love. It first became associated with romance due to Chaucer, who mentioned it in Parliament of Fowles in 1382: “For this was on St. Valentine’s Day, when every bird cometh there to choose his mate.”

 

Other poets and storytellers gradually followed Chaucer’s lead and spoke of the day as the beginning of spring and the time when the birds came out and romantic love would flourish.

But it’s still winter

However, if you’re shoveling snow from your driveway after a blizzard on February 14th, you might be wondering just what the heck Chaucer was thinking.

 

The answer is that the Julian calendar was off—way off—by Chaucer’s time.
The Romans recognized that the year is not 365, but rather, 365 ¼ days long, and so invented the leap year—the signature feature of the Julian calendar. However…the year is actually twenty minutes shorter than 365.25 days—the Julian calendar made the year too long.

 

The result was that the start of spring (and all other fixed events) sneaked “backward” about three days every four centuries, so that thirteen centuries after the Julian calendar was introduced, in Chaucer’s time, spring was indeed coming—and the birds were mating—in mid-February.

Re-branding a saint

This brings us back to the Christian Saint Valentines. The Christian Church and religion spread rapidly worldwide in large part due to history’s first successful mass marketing campaigns, many of which involved what we call today “re-branding.” Recognizing that resistance to their new religion would be less if pagan cultural practices were incorporated into Christianity rather than having it replace them, Church authorities installed new, modern versions of Pagan holidays such as the winter solstice celebration (Christmas), “day of the dead” festivals (All Saint’s Day), and so forth.

 

Valentine’s Day evolved in part because another extremely common celebration in almost every society, then and now, is the “coming of spring.” The Romans had Lupercal, a several-days-long festival of drinking, dancing, and “making whoopee,” which was a perfect time to install a more Christian celebration.

From sacrificial mourning to celebrations of love

The thing is, when early Christian authorities decreed February 14th to be the day to revere Saint Valentine(s), the date was in winter—ideal for mourning and remembrance. It was only due to the creeping inaccuracy of the Julian calendar that by Chaucer’s time, the date was when the snow started melting and the birdies started singing. People began to regard the day as a marker of the coming of spring. (In 1582 Pope Gregory fixed the problem, but the British didn’t adopt the Gregorian Calendar until 1752.)

 

The Church, still skilled in re-branding, decided to respond to this (unstoppable) trend by making up some legends to associate one Valentine or the other with romantic love. The earlier Valentine, of Interamna, was now said to have performed secret marriages for Roman soldiers who had converted to Christianity (still highly illegal at the time). He was also purported to have cut out paper hearts as a token of affection for his friends, and he supposedly wore an amethyst ring (the February birthstone). He also cured a young girl, the daughter of his jailer, of blindness. All these legends, and more, were piled on well after the fact, however, by chroniclers ranging from the 8th-century Bede to 18th-century ecumenical councils.

St-valentine-baptizing-st-lucilla-jacopo-bassano
Valentine-and-disciples

Paper hearts

valentine_card_Google_Art_Project

Valentine, or Valentines, proved to be a highly reusable and malleable symbol. When the Christian Church realized that they didn’t have a coming of spring celebration, they changed St. Valentine from a bishop who had had his head chopped off to a hopeless romantic who married people in secret and handed out paper hearts (a much happier celebration). Love was (officially) in the air!

 

Add to all that the remarkable greeting card industry that sprang up during the Victorian era and you have our modern version of Valentine’s Day.

 

By guest contributor:  Kevin M. Lewis

 

Images from Wikipedia

Heat Versus Rubber Stamps

Hot Weather & Your Rubber Stamps

During a long California heat wave, with 100º temperatures for over a week, I thought about what stampers might want and need to know about how the heat and sun affects these special craft tools.

While we can stand the heat, our wonderful rubber stamps might have a little trouble if not protected. With that in mind, I offer these suggestions.

Low humidity & Rubber Stamps

Where ever the humidity drops below 20% it is a good idea to keep stamps in closed containers. I keep mine inside drawers or plastic boxes, and they are lasting for years. I’ve been told by those living in the southwest deserts that rubber dries out quickly, cracking and becoming useless. This is a big issue with cars: tires, hoses, gaskets, all dry out and need replacing more frequently than more humid climates. Your rubber and polymer stamps are susceptible to drying out in the open air.

Age-related drying can also be an issue.

UV Rays & rubber Stamps

The other destructive force is UV rays. Never leave your stamps near a window where they might get any sun light hitting them. This is true any time of the year. UV rays dry out the rubber or polymer causing cracking.

Heat & Mounted Rubber Stamps
Heat is also a problem for mounted stamps even if hidden from the sun. The glue of the cushion material can get so hot that it loses its grip on the wood. You could go to get that stamp and find it has slipped out of place or completely fallen off.

BUT, there are things you can do –

Solutions to care for rubber stamps

PROTECT
your stamps by keeping them in dark folders, plastic boxes, or drawers (locations with higher humidity can leave mounted stamps on shelves as long as no direct sun can get to them).

CONDITION
your stamps with plain glycerin to rehydrate and protect. Glycerin keeps the rubber moist and preserves its life, especially in dry climates. Rub a little on with your finger or a soft brush, and wipe the excess off with a soft cloth. Glycerin comes off with water.

Glycerin can also be used as a release agent when stamping into polymer clay, although embossing ink is great for that use, too. I’ve seen glycerin bring 70-year-old stamps back to life.

Glycerin is available at drug stores or pharmacies.

Instead of glycerin you can use clear embossing or watermark ink as a protective coating. That, too, will wash off with a little water on a cloth or stamp scrubber.

AVOID
Never put oils, vegetable, butter, or mineral, on rubber or polymer stamps, as that would ruin stamps from ever holding ink again. Over time oils will turn rubber to mush. Use oils ONLY if you are using a stamp exclusively for cookie making or other culinary application.

Alcohol and other solvents should be avoided when cleaning rubber, as they will cause the rubber to dry out and crack, and that’s what we are trying to avoid.

A little caution goes a long way

Take good care of your stamps and they’ll provide years, decades, maybe even 70+ years, of fun and creativity.

Happy Stamping
Kim

Custom Rubber Stamps

  1. Can I get a stamp image in a different size?
  2. Do you make custom design stamps?
  3. Can you make my art into a stamp?
  4. How much do custom stamps cost?
  5. Do you make cling stamps?

All these questions are related, so I will answer them all in this article.

•    I am an artist.
•    I designed most of the stamps for my company, Highlander Celtic Stamps.
•    Some traditional designs I re-drew so that they would reproduce better as rubber stamps.
•    Therefore, I am willing and able to do custom artwork for you.
•    Artwork designed by the other artists who have provided art for Highlander Celtic Stamps may or may not be willing to allow custom sized stamps. Please ask.

1) Can I get a stamp image in a different size?

•    You can get the stamp art designs made into different sizes, with some limitations.
•    Custom size stamps can only be made with polymer (not red rubber).
•    I out-source one-off stamps at my local business rubber stamp manufacturer, who makes polymer stamps for me.
•    Polymer stamps are cling-type and transparent, so if you want an unmounted cling stamp of any of my designs this is the way to get that.
•    Polymer stamps are custom ordered and cost more than the regular price red rubber unmounted stamps, but not by a lot. Start a conversation with me for a quote on specific images that interest you, as the price varies according to size.

2) Do you make custom design stamps?

•    I do create custom artwork for customers who want something uniquely theirs, and have done so many times.
•    My artist shop rate is $45 per hour, or you may negotiate a job. I have 23 years practice designing Celtic theme art, so I am able to work quickly, providing quality and value for my customers.
•    I have designed logos for companies, some Celtic, some not.
•    I have 30 years experience in graphic design, layout, advertising, business materials, banners, brochures, heraldic devices, menus, store signage, and much more.
•    Black & white custom art can be made into polymer rubber stamps.
•    You can order a custom stamp mounted on wood, or unmounted (polymer only).

I can convert photographs into rubber stamps! Ask me if yours is suitable by emailing it to me.
•    A favorite pet picture
•    A happy couple
•    A gift for your stamping friend
•    Travel memories

3) Can you make my art into a stamp?
Yes, but you don’t need me for that.

•    You are an artist and want to make stamps from your small designs or sketches. Or, you like to carve your own stamps, but now you’d like to share your original art carvings with friends.
•    Perhaps you own a business, or are on the board of an organization, and want a rubber stamp of your logo, emblem or motto.
•    The fastest, easiest and least expensive way to get a stamp made of your art is to get it made yourself. I would be an unnecessary middleman in this case.
•    Business rubber stamp makers can make any type of polymer rubber stamp including art, not just text stamps.
•    Look in the Yellow Pages or YELP under Rubber Stamps to find a shop near you, or,
•    Online is:
•         https://www.rubberstamps.net/
⁃    Easily upload your own artwork.
⁃    Get mounted, unmounted, self-inking, ink, stamping supplies, monogram stamps, labels, office stamps, lots more
⁃    I receive no compensation for recommending this site; I provide it as a courtesy.
•    You need a crisp black & white image (no grays or colors) of the exact size you want the stamp to be; or the shop can resize the image for you for a fee, if necessary.

Making your art into a stamp is a great way to add to your mark-making creative tools, and I encourage you to enjoy your art this way.

4) How much do custom stamps cost and how long does it take to get them?

•    Custom size stamps of images already available cost more than standard stock, but only for the manufacturing.  Call or converse with your request to get a specific quote for the image(s) that interest you.
•    Extra time is needed to get a custom sized stamp made. I sometimes have to “wait in line” as it were, yet most of the time the shop I work with is very fast. You can expect your order of custom stamps to take a week to 10 days. I would let you know of any delays.
•    My artist shop rate is $45 per hour for custom artwork, or you may negotiate a job. I have 23 years practice designing Celtic theme art, so I am able to work quickly, providing quality and value for my customers.
•    How long it takes to get custom art created and made into a stamp is variable. We need to talk about that.

5) Do you make cling stamps?

•    Please see the answers to question #1: Can I get a stamp image in a different size?
•    All my designs could be custom ordered as polymer/cling stamps. I won’t be mass-producing them as the demand is too small, yet am open to fulfilling your preference for the cling-type stamp. Let’s talk.

6) Copyright, royalties and public domain

Copyrights apply to custom artwork and custom stamps, except in certain exceptions (see below).

I, Kim Victoria, own the copyright for all my original art designs that I make into rubber stamps and use in other ways. As the creator/artist of these artworks/designs, I own the right to copy or sell them and no one else without my express written consent. Copyright laws are very strict and costly to those who knowingly or unknowingly steal a piece of art for their own purposes.

The designs of Highlander Celtic Stamps products are primarily created by Kim Victoria, but also include designs by other artists which are indicated with the design images. Artists make their livelihood from their art – be considerate.

Royalties are contractual fees paid to designers, artists or writers for their original work. Royalties are paid for commercial uses of a creation.
A few of the designs are Public Domain which means that they were created such a long time ago that no one owns the copyrights thus making them free to the public. Please email me with any questions you have about a specific image.

The important thing to remember and ask yourself is: “Who owns the art?” you want to make a stamp of. Just because you see it on the internet doesn’t mean it’s free to take and use as your wish. Artist’s need to eat, too.
For more information regarding these legal definitions please browse the internet or your local library.

Exceptions to the above:
When a person or company hires me to design their logo, or create art that will be exclusive to them, I don’t own the copyright. Essentially, when I am hired to do a job under contract I am selling my services as an artist.
For example: If you were to hire me to design something original for you, I would provide to you the digital files which would then be your property. I could also have, what is now your design, made into a rubber stamp for you. My shop rate is $45 an hour for this type of work.

Get what you need for your project

Custom design and custom sized stamps are a great way to get exactly what you need to enhance your unique creative output.

I hope this information answers your questions. Please let me know if there is anything else on this subject that would be helpful to know.

Happy stamping
Kim Victoria,
Artist/Owner/Wearer of all hats